Sunday, October 29, 2017

News/Feature

(From Left) Ron Green, Mark Weiss, Pete Kozak, Jeff Hino perform traditional bluegrass music set for full audience at Benton Center in Corvallis Saturday Nov. 17.

Peter gives harmonica solo in upbeat tune.

Peter leads vocals in traditional bluegrass gospel tune.

Friday, October 27, 2017

Week 5 Forum:

Lynsey Addario,

I find it interesting to see how Addario's views and instincts are slowly changing over the course of the novel.  As I get deeper into her story, it is clear that she is getting more and more comfortable with the violence of war and has even stated that she finds the streets of Baghdad more familiar, more of a home, than any place in New York.  Her reactions and anticipations have completely shifted from "fight or flight" to investigate and capture, running with ambition toward the violence when the sounds of bombs go off.

That being said, I am pleased by how she still stays humble when faced with new battles, still managing to be effected by the never ending human suffering.  Towards the end of the 7th chapter, she leaves Iraq and travels to Africa for a very different experience.  Rather than warriors fighting for their people and defending their rights, she witnesses a region of hopeless people who can do nothing more than wait for help they aren't sure is coming.

One of the strong ideas of photojournalism that Addario stresses is something we focus on in this photojournalism class as well.  Take photos first and ask questions later.  These have very different connotations when applied to different situations.  Usually, I try to get the picture and worry about getting information for a caption later.  Addario works to get the picture and worries about her safety later.

 One of the jostling events to take place was the bombing of a nearby bank in Istanbul, down the street from where she lived.  She wasn't used to being attack so close to her home base when not in a war zone.  However, it was still her nature to grab her cameras and run to document it, not dwelling on the fact that it could've easily hit her house, destroying all her belongings, even taking her life.  Seeing these basic techniques present in such dire situations puts prospective on my seemingly no pressure assignments.

Other than her own personal time and security, Lynsey Addario has had to sacrifice a lot of her personal relationships as well.  She tells of the hardships she goes through with her relationship in almost a more urgent manner than the retellings of her war zone experience.  It was hard for her to compromise her work for the interests of her boyfriend and in the end, couldn't find a way to make it work.  Yet, she seemed more happy than ever when she was finally free of grounding relationships.  She became able to take on assignments for months and months at a time, not having to worry about the interests of others, just focusing on hr career.

Darfur, Sudan: "I moved around the desert camp self-consciously, a white, well-fed woman trudging through their misery"(179).  It's already a struggle to have to witness the immense suffering in order to document it in history.  But to have to witness it in such blatant contrast to one's own great privilege must throw anyone to an entirely new level of self awareness about how indulgent the american culture is.

One of my favorite photos from this section is of a single mother and her two children, both conceived from rape.  I found it heart warming that despite the pain and horror from which these children were created, the mother still has the capacity to love and care for them as if they were birthed out of love as well.  It exposes a different side of the world that shows how capable these people are of withstanding so much.

Friday, October 20, 2017

Week 4 Blog Forum

NPPA Code of Ethics:

The 6th policy within the code of ethics explains that the editing should maintain the integrity of the photographs content and context.  This stands out to me the most because the role of a photojournalist is to bring light to the truth in a situation.  Context can be everything when relaying events in digital print.  A lot of facts can get mixed up if they are portrayed differently than what their intents were.

The Journalist Ideals also state that one should avoid political, civic, and business involvement that may compromise their work.  I found this most compelling because it holds journalists responsible for the work that they are meant to do.  They are supposed to report unbiasedly in a way that provides access for citizens to information that have a right to know about.  If journalists start working for the people inside the story, then they wouldn't be providing the services that make them a public partner.

If a journalist was supposed to be covering the fight for independence for Kurdistan but was hired by Trump who did not want to assist the foreign cultural group, they might be requested to only shoot photos of them fighting or invading cities with innocent people being thrown into the violence.  Rather than reporting a story about the struggles Kurdistan is facing, defending its land from the Iraqi government-which warrants help from the US, the journalist can easily cause them to be seen, by US citizens, as violent terroristic people who the US should not get involved with.


Favorite Photos:

I really enjoyed Alex's close up photo of Jillian Wilson with her dog at the Humane Society.  I thought the cropping worked really well and the lighting turned out nicely.  The fact that both the girl and the dog are both facing the camera is impressive because of the difficulties working with an animal.
http://alexgaub.blogspot.com/2017/10/week-two-photos.html

I loved the close up of Zowie Deleon shot by Julia.  Her face was well lighted and in focus.  I also thought the photo included just enough to tell where she was and what she was doing but not too much that it distracts from the subject.
http://juliahazelton.blogspot.com/2017/10/week-3-news-photographs.html



Environmental Portrait

Andrea Mitev poses for picture while shooting a story for DAMChic Magazine at OSU, Oct. 15th.

Andrea, 19, has been interested in photography for the past six years, teaching herself how to shoot while building a portfolio on social media platforms.  As a sophomore at OSU, she recently switched majors from Computer Science to Digital Media and has flourished ever since.  She is now part of the Orange Media Network, shooting stories for the local OSU newspaper as well as the Lead Photographer for DAMChic Magazine.


Andrea Mitev

Tuesday, October 17, 2017

James Nachtwey- War Photographer

James Nachtwey

With over 36 years of experience in active war and conflict documentation, James Nachtwey is considered to be one of the greatest war photographers in recent history.  His rise to war photography started with his first foreign assignment in Northern Ireland, covering the effects of the IRA hunger strikes within the jail system in 1981.  Since then, he has covered stories of war, conflict, social upheaval and suffering in more than 30 countries world wide.  Many of which have won him some of the most respected awards in the photography profession to date.  Though he wishes his work to stay independent of his personal achievements, it is hard not to take them into account when stating that he is one of the most accomplished photojournalists from the United States.

Despite being pivotal in the distribution of information on many worldly conflicts, very little knowledge is accessible on the photographer himself.  James Nachtwey was born in 1948 in Syracuse, NY.  He grew up to attend Dartmouth College where he majored in Art History and Political Science.  This is where his personal life seems to end and his distinguished work life begins.  Nachtwey was heavily influenced by documentary photographs of the Vietnam War and the American Civil Rights movement.  

These images are what made him want to be a war photographer.  He was self taught in the skills of a digital camera and in 1976 he started working for his first newspaper in Albuquerque, NM.  This gave him steady work until he was able to move to New York and start a life of free lancing in 1980.  After his assignment in Northern Ireland, Nachtwey became an officially employed photographer for Time Magazine in 1984 and from then on, he continued to add heart wrenching proof of human struggles to his impressive portfolio of foreign issues.

Throughout is career, James Nachtwey has always stayed true to his heart as well as his passion in covering stories that he felt the world needed to see.  Occasionally, he would take an interest in foreign issues that was not shared by supporting magazines, in which case he would finance these trips himself.  Documentation of The Romanian Orphanages and the great famine in Somalia were all done by his own production and ambition. 

Nachtwey is known for his talent of getting up close to his subjects.  He believes that in order for a photograph to be great you have to be “in the same intimate space that the subjects inhabit.”  Making his work incredibly personal.  With his camera as his tool, he only intends to “tell the truth, document the struggles of humanity and wake people up and stir the to action.”  His humble mindset has shown in several interviews where his skills and technique have been compared to those of Henri Cartier-Bresson and Robert Capa.  However, he resents such comparisons.  James stated, “I’m not trying to make statements about photography.  I’m trying to use photography to make statements about what is happening in the world.” 

One of my favorite photos by Nachtwey is of a boy who survived a Hutu death camp in Rwanda.  I feel it shows the epitome of his work and how he does not shy away from social controversy.  He brings light to the truth and uses his talent to spread news about issues that are hard to face for outside audiences.


http://www.jamesnachtwey.com

Because of his photography, he is able to put a human face to the struggles with evil many suffer through every day.  James Nachtwey wishes only to teach others about those struggles too and to be a catalyst for action and change in our world.


Sources:
The Editors of Encylclopedia Britannica. “James Nachtwey.” Britannica, Encylcopedia Britannica Inc., 2006,
www.britannica.com/biography/James-Nachtwey.

“James Nachtwey.” National Geographic, www.nationalgeographic.com/contributors/n/photographer-james-nachtwey/.

“James Nachtwey Speaker.” Edited by TED Team, TED, TED Inc., 2007, www.ted.com/speakers/james_nachtwey.


Nachtwey, James. “James Nachtwey Biography.” Witness Photography, James Nachtwey, www.jamesnachtwey.com.

Friday, October 13, 2017

Self-Critique


I think my best photo is a close up of the impromptu chess match I witnessed in the book store. It was my first time playing around with different angles on a subject and I thought the clarity turned out really well.


My worst photo so far was one of my first close ups.  I was just starting to learn how to work the setting on the camera as well as switching back and forth from outdoors to indoors.  My aperture was really low because it was sunny out that day but when I went back inside, it made the lighting really dark.

The skill in need of the most development would fall along the lines of people skills.  I want to become more confident and not be afraid to approach people for close up photos or information for captions.

Portrait Subjects


Possible Portrait subjects....

  1. Andrea Mitev:  She is a photographer for the Orange Media News Network at OSU as well as an editor for Dam Chic Magazine.  Andrea has been interested in photography since High School where she started a lengthy portfolio of Senior Photos.  I would like to follow her to a photoshoot for the magazine and have a shot of her behind all the lights, cameras, and backdrops.  I plan to send a Facebook message and request a time to meet. 
  2. Sana Tepley:  Sana is a ballerina and has been dancing since she was 5 at the Corvallis Academy of Ballet.  She has been featured in many recitals as a solo dancer.  I would like to take her photos either right before her rehearsal or directly after.  This way the equipment will already be out and it would provide a nice background.  I think a good shot would be her facing the camera while stretching or holding onto the ballet bar in front of a mirror.  I plan to send her an email about what day I would be able to accompany her to her lessons.

News/ Features


The local band that goes by the name John, Joe and Sid plays for visitors at the Corvallis Saturday Farmer's Market on Sept. 7.

Joe Casprowiak (left) leads vocal melody of folk song with band mate Sid Beam.

John Donoghue chimes in on washboard

Sunday, October 8, 2017

Photographer of the Week

James Nachtwey
James Nachtwey is a highly respected war photographer who has been present as history has unfolded in over 30 countries.  Like most other photographers, he didn't even get started until after college where he studied Art History and Political Science.  He is a self taught photographer who gathered inspiration from images he had seen on the Vietnam War and the American Civil Rights movement.  Today he has earned over 20 photography awards, many more than once!  His photos show more pain and struggle that his subjects have experienced than most of us do in a lifetime.  It is his wish that the importance of his photos remain in the best interest of the victims he documents rather than focus on any technique or composition that he believes is insignificant in regards to the foreign issues he covers.  His first story that began his journey in the industry of photojournalism was capturing the effects of the IRA hunger strike occurring in the jail system of Northern Ireland.  This was the assignment that started his rise to fame as one of the most achieved war photographers in history.
El Salvador, 1984- Army evacuated wounded soldiers from village football field

   Nachtwey, James. "Deeds of War." Witness Photography, www.jamesnachtwey.com

Friday, October 6, 2017

"It's What I Do"-- First Impressions


     I am really enjoying how Lynsey Addario's book is very personal and a great story to read, filled with true stories yet not a boring, factual biography.  You can really tell that her mind is young and she is full of heart.  I am impressed by the talent she has for photography, knowing that she hadn't even considered it as a career until after graduating from University of Wisconsin, where she studied International Relations.
   
     I also love seeing how courage is apparent in all of her work.  she uses a quote by Robert Capa, "If your pictures aren't good enough, you're not close enough."  This does more for describing her own work rather than Capa's.  You can see in the photographs that she provides in the book, they are high quality products, capturing emotion like no other.  The quote almost says that because she has great photos, you know she had to be inches away from the action.
There is a close up of a soldier assisting a companion where it looks like the shot was taken right up the nose of violence. That is where her courage shows.
 
     If there is anything to be taken from the first chapter, it is that great photographers are not born, they're made.  They're made from passion, soul, and ambition.  Addario is the first to admit that the start of her career was slow going, working from paycheck to paycheck, traveling to different continents just to get a shot that would put her in the competition.  Addario was able to persevere because she had an idealistic belief "that a photograph might affect people's souls."

Chess Club



Chess Club meetings held in upstairs commons on Wednesdays 12pm-2pm, and Thursdays 3pm-5pm.


Caleb Chladek(left) and Tim McIlroy(right), 2 of 10 members, spend hour playing a practice round in LBCC Bookstore before Chess Club.  


Tim McIlroy contemplates next move in practice round of chess.

Week 5 Forum

Topic 1 I believe that my best story so far has been the report on the new Philosophy Club at LBCC.  I was the most prepared with questions...